I began writing a mystery novel to freshen up and not get caught in a genre trap. Previously all my novels had been historical fiction set in the Anglo-Saxon period. I was quite clear that the Quasimodo Killings was a mystery novel, but having written another nine in the series, the distinction between mystery and thriller became a little blurred. So, I’ve decided to give some thought to this in this blog. Before I start, you can see my ten books by clicking the METROPOLITAN MURDERS tag on this website.
For writers eager to dive into suspenseful storytelling, mystery novels and thrillers are two of the most compelling—and marketable—genres out there. But while they share some similarities, understanding their core differences is essential for crafting a story that meets reader expectations and stands out in a crowded field. Whether you're outlining your first manuscript or revising your fifth, knowing whether you're writing a mystery or a thriller will shape everything from plot structure to pacing and tone. Let’s break it down. The Heart of a Mystery: Solving the Puzzle A mystery novel revolves around uncovering the truth. Usually, a crime—most commonly a murder—has already occurred before the story begins, and your protagonist (often a detective or amateur sleuth) spends the book putting the pieces together. The plot is structured around clues, red herrings, interviews, and logical deduction. The key question driving the story is: "Whodunit?" The reader should feel like a partner to the protagonist, gathering evidence and forming theories along the way. As a writer, this means carefully plotting the sequence of clues and ensuring the solution is both surprising and fair. Think of Agatha Christie—master of subtle misdirection and satisfying reveals. The Pulse of a Thriller: Escalating Danger Thrillers, in contrast, are about immediate stakes and looming threats. Your protagonist is usually trying to prevent something terrible from happening, often while being pursued or endangered themselves. The central question becomes: "Will they survive or succeed in time?" Instead of looking backward at a crime, thrillers propel the reader forward through action, tension, and ticking clocks. Think car chases, hidden enemies, double-crosses, and mounting urgency. Writers like Karin Slaughter, or Paula Hawkins are great references here. From a writing perspective, thrillers demand tight pacing, visceral conflict, and high emotional stakes. Every chapter should raise the tension, making it hard for readers to put the book down. Now I’ve got that sorted, I can see more clearly that at least one of my ‘mysteries’ morphed into a thriller! Still, I’m quite pleased with it and hope that readers will enjoy it. Mystery vs Thriller Story Engine Solving a past crime vs Preventing or surviving an imminent threat Plot Structure Clue-based; reveals build to the solution vs Escalating action; often nonlinear or urgent Main Character's Role Detective, investigator, or curious amateur vs Hero, often reluctant, in immediate danger Reader's Experience Analytical, puzzle-solving vs Emotional, edge-of-your-seat suspense Tone Intellectual, curious vs Fast-paced, intense Final Thoughts Whether you prefer the intellectual challenge of piecing together clues in a mystery or the adrenaline rush of a high-stakes thriller, both genres offer compelling explorations of human behaviour under pressure. The key difference lies in the direction of the suspense: looking backward to solve a puzzle, or forward to prevent disaster. Either way, hopefully, you're in for a riveting ride. ![]() Get a free eBook!Join my newsletter & receive a free digital copy of Heaven in a Wildflower, book 1 of my St. Cuthbert Trilogy, as well as monthly news, insights, historical facts, & exclusive content delivered straight to your inbox! Thank you!You have successfully joined my mailing list!
0 Comments
Leave a Reply. |
To buy your copy of Rhodri's Furies click the link below:
https://www.amazon.co.uk/Rhodris-Furies-Ninth-century-Resistance-incursions-ebook/dp/B0BPX9C2D3/ |